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| Sortiert nach: | Publikationstitel | Originaltitel |
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| IDS-Panel |
| 2030 - Aufstand der Jungen |
(2030 – Revolt of the Young) |
| 36 vues du Pic Saint-Loup |
(Around a Small Mountain) |
| top |
| Abel |
(ABEL) |
| Accident |
(YI NGOI) |
| Adrians Traum |
(Adrian’s Dream) |
| Albaner, Der |
(The Albanian) |
| Alles Liebe |
(Hugs’ n Kisses) |
| Am Anfang war das Licht |
(In The Beginning There Was Light) |
| Amer |
(AMER) |
| American Boy |
(AMERICAN BOY) |
| American Prince |
(AMERICAN PRINCE) |
| And Everything Is Going Fine |
(AND EVERYTHING IS GOING FINE) |
| Apple Color – Grading mit Stil |
(Apple Color - Grading in Style) |
| Apple: Dreh und Postproduktion mit Digitalen Spiegelreflex Kameras (DSLR) |
(Apple: Shooting and Post With Digital Single-Lens Reflex (DSLR) Cameras) |
| ARRI präsentiert die neue digitale Kamera ALEXA |
(ARRI) |
| ArTherapy |
(ARTHERAPY) |
| Autobiographie des Nicolae Ceausescu, Die |
(AUTOBIOGRAFIA LUI NICOLAE CEAUSESCU) |
| top |
| Balibo |
(BALIBO) |
| Ball, Der |
(The Prom) |
| Bass Ackwards |
(BASS ACKWARDS) |
| BayernSPD-Landtagsfraktion: Quote für Oscar? Frauen in der Filmbranche |
(Bavarian SPD state senate faction: Quotas for the Oscars? Women in the Industry) |
| Being John Malkovich |
(BEING JOHN MALKOVICH) |
| Belair |
(BELAIR) |
| Bergblut |
(Mountain Blood) |
| Between Two Worlds |
(AHASIN WETEI) |
| Bilder einer Ausstellung |
(Pictures Of An Exhibition) |
| BJF-Kinderfilmseminar |
(BJF: Children's Film Seminar) |
| Blechtrommel, Die - Director´s Cut |
(The Tin Drum) |
| Bödälä - Dance the Rhythm |
(BÖDÄLÄ - DANCE THE RHYTHM) |
| Branchenempfang der DrehbuchWerkstatt München |
| Brothers |
(BROTHERS) |
| Brüder, lasst uns lustig sein |
(Brothers, Let Us Be Merry) |
| Busenfreund, Der |
(The Bossom Friend) |
| BVC Bundesverband Casting e.V.: Online-Casting – Neue Herausforderungen und Chancen |
(BVC Bundesverband Casting e.V.: Online-Casting – New Challenges and Chances) |
| top |
| Café Noir |
(KA-PE NU-WA-RU) |
| Cairo Time |
(CAIRO TIME) |
| Carlos |
(CARLOS) |
| Cast Lead |
(PIOMBO FUSO) |
| C'est déjà l'été |
(Summer In The City) |
| Cité, La |
(City of Shadows) |
| Cleveland Versus Wall Street – Mais mit dä Bänkler |
(CLEVELAND VERSUS WALL STREET - MAIS MIT DÄ BÄNKLER) |
| Cluster Audiovisuelle Medien: Book meets Film |
| Cluster Audiovisuelle Medien: Stereo3D – Showcase |
(Stereo3D – Showcase) |
| connexx.av/ver.di: Urhebererlösbeteiligung – die Ruhe vor dem Sturm? |
(connexx.av/ver.di: Intellectual Property Participation – All's Well that Ends Well?) |
| Copacabana mon amour |
(COPACABANA MON AMOUR) |
| Copie Conforme |
(Certified Copy) |
| top |
| Damned Rain, The |
(GABHRICHA PAUS) |
| Dark House, The |
(DOM ZLY) |
| Defiant Brasilia |
(AVENIDA BRASÍLIA FORMOSA) |
| Des hommes et des dieux |
(Of Gods and Men) |
| Deux de la vague |
(Two In The Wave) |
| Dev. D |
(DEV. D) |
| Devdas |
(DEVDAS) |
| Día menos, Un |
(One Day Less) |
| Donation, La |
(The Legacy) |
| Double Hour, The |
(LA DOPPIA ORA) |
| Draquila - Italy Trembles |
(DRAQUILA - L'ITALIA CHE TREMA) |
| top |
| Ed Wood |
(ED WOOD) |
| Eighteen |
(HOE-ORI BA-RAM) |
| Einsvierzig |
(One Fourty) |
| Elenors Geheimnis |
(KERITY, LA MAISON DES CONTES) |
| Empathie |
(Empathy) |
| Entzauberungen |
(ENTZAUBERUNGEN) |
| Es muss was geben |
(It Has To Be Done) |
| eXistenZ |
(EXISTENZ) |
| Extraordinary Ordinary Life of José González, The |
(THE EXTRAORDINARY ORDINARY LIFE OF JOSÉ GONZÁLEZ) |
| top |
| Fachgespräch der CSU-Landtagsfraktion: 3D - Zukunft des Kinos!? |
(A Debate by the CSU Bavarian State Senate Faction: 3D – The Future of Movies!?) |
| Filmmakers Live: Abbas Kiarostami |
| Filmmakers Live: Abschlussfilm |
(Filmmakers Live: Closing Film) |
| Filmmakers Live: Eröffnungsfilm |
(Filmmakers Live: Opening-Film) |
| Filmmakers Live: Fokus Fernost |
(Filmmakers Live: Focus on the Far East) |
| Filmmakers Live: Fokus Fernost |
(Filmmakers Live: Focus on the Far East) |
| Filmmakers Live: Howard Shore |
| Filmmakers Live: Indien |
(Filmmakers Live: India) |
| Filmmakers Live: Internationales Programm |
(Filmmakers Live: International Program) |
| Filmmakers Live: Internationales Programm |
(Filmmakers Live: International Program) |
| Filmmakers Live: Jane Goodall |
| Filmmakers Live: Kinderfilmfest |
| Filmmakers Live: Koproduzententreffen Indien |
(Filmmakers Live: Producer Meeting India) |
| Filmmakers Live: Mads Mikkelsen |
| Filmmakers Live: Neue deutsche Kinofilme |
(Filmmakers Live: New German Cinema) |
| Filmmakers Live: Neue deutsche Kinofilme |
(Filmmakers Live: New German Cinema) |
| Filmmakers Live: Neue deutsche Kinofilme |
(Filmmakers Live: New German Cinema) |
| Filmmakers Live: Neue deutsche Kinofilme |
(Filmmakers Live: New German Cinema) |
| Filmmakers Live: Neues deutsches Kino... Nach 30 Jahren |
(Filmmakers Live: New German Cinema... 30 Years later) |
| Filmmakers Live: Nouveau Cinéma Français |
(Filmmakers Live: New French Cinema) |
| Filmmakers Live: Nouveau Cinéma Français |
(Filmmakers Live: New French Cinema) |
| Filmmakers Live: Nouveau Cinéma Français |
(Filmmakers Live: New French Cinema) |
| Filmmakers Live: Politisches Kino |
(Filmmakers Live: Political Cinema) |
| Filmmakers Live: Ulrich Seidl |
| Five |
(FIVE DEDICATED TO OZU) |
| Four Chapters |
(CHATURANGA) |
| Four Times, The |
(LE QUATTRO VOLTE) |
| Frau des Schläfers, Die |
(The Sleeper's Wife) |
| top |
| Ganz neues Leben, Ein |
(YEO-HAENG-JA) |
| Geschmack der Kirsche, Der |
(TA'M E GUILASS) |
| Get Connected I |
| Get Connected II |
| Geteilte Glück, Das |
(Mistaken Hapiness) |
| Good News: Von Kolporteuren, toten Hunden und anderen Wienern |
(Good News) |
| Greetings From The Woods |
(HÄLSNINGAR FRÅN SKOGEN) |
| Große Schwester Punam |
(BIG SISTER PUNAM) |
| Gulabi Talkies |
(GULABI TALKIES) |
| top |
| Harakiri |
(HARAKIRI) |
| Harun - Arun |
(HARUN - ARUN) |
| Hebamme - Auf Leben und Tod, Die |
(Delivering Hope) |
| Hotel Atlântico |
(HOTEL ATLÂNTICO) |
| Hummel, Die |
(The Bumblebee) |
| Hundstage |
(Dog Days) |
| top |
| I Travel Because I Have To, I Come Back Because I Love You |
(VIAJO PORQUE PRECISO, VOLTO PORQUE TE AMO) |
| I Wish I Knew |
(SHANG HAI ZHUAN QI) |
| Ich will doch nur, dass ihr mich liebt |
(I Only Want You to Love Me) |
| Illégal |
(ILLÉGAL) |
| Im Dschungel |
(In The Jungle) |
| Import Export |
(IMPORT EXPORT) |
| In aller Stille |
(Go Silent) |
| In The Woods |
(MESA STO DASOS) |
| Interfilm-Seminar: Gesellschaftspolitisches Kino gestern und heute |
(Interfilm-Seminar) |
| Into Eternity |
(INTO ETERNITY) |
| Ishqiya |
(ISHQIYA) |
| top |
| JANE'S JOURNEY – Die Lebensreise der Jane Goodall |
(Jane's Journey) |
| Je Suis Heureux Que Ma Mere Soit Vivante |
(I’m Glad My Mother’s Alive) |
| Jesus, du weisst |
(Jesus, You Know) |
| Jour où Dieu est parti en voyage, Le |
(LE JOUR OÙ DIEU EST PARTI EN VOYAGE) |
| Jóvenes muertos, Los |
(Dead Youth) |
| Judge |
(TOU XI) |
| top |
| Kameraverleih Ludwig: Shot on RED |
| Keiner geht verloren |
(Nobody Is Lost) |
| Khargosh |
(KHARGOSH) |
| Kick In Iran |
(KICK IN IRAN) |
| Kinderfilm-Workshop |
| Kongo |
(KONGO) |
| Kurzes für Kleine 6+: Die Kinder im Mond |
(Moon Children) |
| Kurzes für Kleine 6+: Ente, Tod und Tulpe |
(Duck, Death And The Tulip) |
| Kurzes für Kleine 6+: Für Mathilde |
(For Mathilde) |
| Kurzes für Kleine 6+: Kick It Like Ferni! |
(Kick It Like Telé!) |
| Kurzes für Kleine 6+: Neuneinhalbs Abschied |
(Nineandahalfs Goodbye) |
| Kurzes für Kleine 6+: Ohne Pfiff |
(FLØJTELØS) |
| Kurzes für Kleine 6+: Pink Nanuq |
(PINK NANUQ) |
| Kurzfilme ab 8: Ednas Tag |
(Edna’s Day) |
| Kurzfilme ab 8: Jacco's Film |
(JACCO'S FILM) |
| top |
| Lange Nacht der Shocking Shorts, Die |
(Long Night Of Shocking Shorts) Kurzfilme
Sonderprogramm |
| Letzte Angestellte, Der |
(The Last Employee) |
| Letzte schöne Herbsttag, Der |
(The Last Nice Day Of Autumn) |
| Letzte Schweigen, Das |
(The Silence) |
| Letzten Männer, Die |
(The Last Men) |
| Liebe, Glück und andere Zufälle |
(LUCK BY CHANCE) |
| Life 2.0 |
(LIFE 2.0) |
| Life During Wartime |
(LIFE DURING WARTIME) |
| Like You Know It All |
(JAL ALJIDO MOTHAMYEONSEO) |
| Little Baby Jesus of Flandr |
(EN WAAR DE STERRE BLEEF STILLE STAAN) |
| Lola |
(LOLA) |
| LSD |
(LOVE, SEX AUR DHOKA) |
| top |
| Magische Baum, Der |
(MAGICZNE DRZEWO) |
| Magische Feder und viele andere Geschichten, Die |
(JAADUI PANKH AUR ANYA KAHANIYAN) |
| Mama |
(MAMA) |
| Man Who Wasn't There, The |
(THE MAN WHO WASN’T THERE) |
| Man Who Will Come, The |
(L'UOMO CHE VERRÁ) |
| Mann, der die Wolken in Flaschen einfing, Der |
(O HOMEM QUE ENGARRAFAVA NUVENS) |
| Manuel de Ribera |
(MANUEL DE RIBERA) |
| Me And Orson Welles |
(ME AND ORSON WELLES) |
| ME TOO – wer will schon normal sein? |
(YO, TAMBIÉN) |
| MedienCampus Bayern: AnimationMeeting - Konferenz der Effekte |
(MedienCampus Bayern: AnimationMeeting - Effective f/x) |
| MedienCampus Bayern: Soundfabrik Bayern |
(MedienCampus Bayern: Sound Factory Bavaria) |
| Mein Freund Knerten |
(KNERTEN) |
| Mein Kampf |
(MEIN KAMPF) |
| Meisterklasse - Ein Jahr mit den Opernprofis von morgen |
(Master Class Opera) |
| Merle Haggard: Learning To Live With Myself |
(MERLE HAGGARD: LEARNING TO LIVE WITH MYSELF) |
| Metropolis@Kolkata |
(MAHANAGAR@KOLKATA) |
| Mit Verlust ist zu rechnen |
(Loss Is To Be Expected) |
| Models |
(MODELS) |
| Montréal Symphonie - Kent Nagano et l' Orchestre symphonique de Montréal |
(Montreal Symphony - Kent Nagano and the OSM) |
| Morgen das Leben |
(This Will Be The Life) |
| Mother |
(MADEO) |
| Mr. Nice |
(MR. NICE) |
| Mr. Nobody |
(MR. NOBODY) |
| Mundane History |
(JAO NOK KRAJOK) |
| My Queen Karo |
(MY QUEEN KARO) |
| My Son, My Son, What Have Ye Done? |
(MY SON, MY SON, WHAT HAVE YE DONE?) |
| Myth of the American Sleepover, The |
(THE MYTH OF THE AMERICAN SLEEPOVER) |
| top |
| Natarang |
(NATARANG) |
| Navidad |
(NAVIDAD) |
| Neuigkeiten von Apple |
(Apple News) |
| Noerr LLP: Video on Demand |
| Norteado |
(Northless) |
| Nostalgia de la luz |
(Nostalgia For The Light) |
| top |
| Open Lounge |
| Open Lounge Special: Latino Lounge |
| top |
| Paju |
(PA-JU) |
| Paradies |
(PARAÍSO) |
| Pecados de mi padre |
(Sins of My Father) |
| People vs. George Lucas, The |
(THE PEOPLE VS. GEORGE LUCAS) |
| Perpetuum mobile |
(PERPETUUM MOBILE) |
| Persécution |
(PERSÉCUTION) |
| Ponyo - Das große Abenteuer am Meer |
(GAKE NO UE NO PONYO) |
| Portuguese Nun, The |
(A RELIGIOSA PORTUGUESA) |
| Possessed |
(BUL SHIN JI OK) |
| Preisträgerfilm: Bayern 3 Publikumspreis (präsentiert von der Abendzeitung) |
| Preisträgerfilm: Förderpreis Deutscher Film |
| Preisträgerfilm: Kinderfilmfest |
| Prinzessin von Montpensier, Die |
(LA PRINCESSE DE MONTPENSIER) |
| Pro Apple – Techtalk |
| top |
| Quer durch den Olivenhain |
(ZIRE DARAKHATAN ZEYTON) |
| top |
| R |
| Red Chapel, The |
(DET RØDE KAPEL) |
| Redland |
(REDLAND) |
| Refuge, Le |
(The Refuge) |
| Restrepo |
(RESTREPO) |
| Ride, Rise, Roar |
(RIDE, RISE, ROAR) |
| Rita |
(RITA) |
| Road, The |
(THE ROAD) |
| Russian Lessons |
(RUSSIAN LESSONS) |
| top |
| Sandmännchen, Das - Abenteuer im Traumland |
(The Sandman – Adventures in Dreamland) |
| Sau Nummer Vier. Ein Niederbayernkrimi |
(Sow Number Four: A Crime Story from Lower Bavaria) |
| Schweigen der Lämmer, Das |
(THE SILENCE OF THE LAMBS) |
| Sein oder Nichtsein |
(TO BE OR NOT TO BE) |
| Sein und Haben |
(ÊTRE ET AVOIR) |
| Shit Year |
(SHIT YEAR) |
| Short Films: A Drop |
(BOOND) |
| Short Films: Dhin Tak Dha |
(DHIN TAK DHA) |
| Short Films: In Deluge |
(VELLAPOKKATHIL) |
| Short Films: Narmeen |
(NARMEEN) |
| Short Films: The Taste Of A Hilsa |
(ILISA AMAGI MAHAO) |
| Sie hat es verdient |
(She Deserved It) |
| Slovenian Girl |
(SLOVENKA) |
| Some Days Are Better Than Others |
(SOME DAYS ARE BETTER THAN OTHERS) |
| Spaß ohne Grenzen |
(Fun Without Limits) |
| Speed-ca:sting auf dem Filmfest |
(Speed-ca:sting at the Filmfest) |
| Stones in Exile |
(STONES IN EXILE) |
| Stranger's Land, The |
(LA TERRA DE L'ESTRANY) |
| Swansong: Story Of Occi Byrne |
(SWANSONG: STORY OF OCCI BYRNE) |
| top |
| Tatort - Nie wieder frei sein |
(Scene of the Crime: Never Free Again) |
| Te Creís la más linda...(pero erís la más puta) |
(You Think You Are The Prettiest... (But You Are The Sluttiest)) |
| Tears |
(YAN LEI) |
| Tehroun |
(TEHROUN) |
| Ten |
(TEN) |
| Tender Son - The Frankenstein Project |
(SZELÍD TEREMTÉS - A FRANKENSTEIN-TERV) |
| Tetro |
(TETRO) |
| That Evening Sun |
(THAT EVENING SUN) |
| This Prison Where I Live |
(THIS PRISON WHERE I LIVE) |
| Tierische Liebe |
(Animal Love) |
| Tochter des Mörders, Die |
(The Murderer's Daughter) |
| Tod einer Schülerin |
(Death Of A Schoolgirl) |
| Tod in Istanbul |
(Death in Istanbul) |
| Todos mienten |
(They All Lie) |
| Todos vós sodes capitáns |
(You Are All Captains) |
| Transit |
(TRANSIT) |
| Traveller, The |
(AL MOSAFER) |
| Tür, Die |
(The Door) |
| top |
| Uncle Boonmee Who Can Recall His Past Lives |
(LUNG BOONMEE RALUEK CHAT) Deutschland, Frankreich, Großbritannien, Spanien, Thailand 2010 Regie: Apichatpong Weerasethakul
Fokus Fernost |
| Unerträgliche Leichtigkeit des Seins, Die |
(THE UNBEARABLE LIGHTNESS OF BEING) |
| Unter Dir die Stadt |
(The City Below) |
| top |
| Valhalla Rising |
(VALHALLA RISING) |
| Videocracy |
(VIDEOCRACY) |
| Von der Liebe und den Zwängen |
(Of Love And Constraints) |
| top |
| Wanderer, Der |
(HA'MESHOTET) |
| Was ich bin, sind meine Filme - Teil 2 - Nach 30 Jahren |
(I Am My Films - Part 2 ...30 Years Later) |
| When The Lemons Turned Yellow... |
(VAGHTI LIMOOHA ZARD SHODAND...) |
| White Material |
(WHITE MATERIAL) |
| White Night, A |
(BYAKUYA) |
| White Space, The |
(LO SPAZIO BIANCO) |
| Willkommen Mr. Chance |
(BEING THERE) |
| Wind wird uns tragen, Der |
(BAD MA RA KHAHAD BORD) |
| Woman On Fire Looks For Water |
(WOMAN ON FIRE LOOKS FOR WATER) |
| top |
| Zapping-Alien@Mozart-Balls |
(ZAPPING-ALIEN@MOZART-BALLS) |
| Zero |
(ZERO) |
| Zur Lage: Österreich in sechs Kapiteln |
(State Of The Nation: Austria In Six Chapters) Deutschland 2002 Retrospektive - Ulrich Seidl |
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