RHINO SEASON
Filmfest 2016

German Age Rating

Film Website

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Sahel is released from prison after 30 years, for allegedly political writing. Broken and greying, he goes looking for his wife Mina (Monica Bellucci), who thinks he’s long dead. Sahel travels to Turkey, accompanied by memories of his love and the cruel intrigue that destroyed it, while the demons of the past haunt all involved to this day. The aging poet is portrayed by Iranian acting legend Behrouz Vossoughi, who also acted in European and American movies in the ‘70s and ‘80s.

tags: Memories, Human Rights, Guilt, Feature film, Grief/Trauma

Cast: Behrouz Vossoughi, Monica Bellucci, Yilmaz Erdogan, Caner Cindoruk

Credits

Screenplay: Bahman Ghobadi

Director of Photography: Touraj Aslani

Film Editor: Valérie Loiseleux

Composer: Kayhan Kalhor

Production Designer: Bahman Ghobadi, Ali Daryai

Sound: Stéphane de Rocquigny

Producer: Bahman Ghobadi

Production Company: Mij Film Co, BKM Film

Director: Bahman Ghobadi

biography

Bahman Ghobadi was born in Baneh in 1969, a city in Iranian Kurdistan near the Iraqi border. The Iran-Iraq War forced his family to move to Sanandaj, the capital of Iranian Kurdistan. After high school graduation, Ghobadi moved to Teheran, where he began working as a photographer. He attended Iranian Broadcasting College, but did not graduate. He then worked as assistant director to Abbas Kiarostami on THE WIND WILL CARRY US. After shooting several documentary shorts on Super8, he made his award-winning breakout short LIFE IN FOG 1999. He named his production co. Mij (Fog), which funds and produces Kurdish films, after this film. “Iran has always been a region that cradled a multitude of different ethnic groups, Turkmens, Kurds and Turks, yet their voices are rarely expressed in Iranian cinema,” says Ghobadi. He made the first Iranian Kurdish feature film 2000, A TIME FOR DRUNKEN HORSES, followed by TURTLES CAN FLY (2004), HALF MOON (2006) and NO ONE KNOWS ABOUT PERSIAN CATS (2009), winning numerous international awards, including the Caméra d'Or in Cannes, the Glass Bear in Berlin, two main prizes in San Sebastian, the Index on Censorship award and numerous audience awards worldwide. Bahman Ghobadi has been making Kurdish films for twenty years now, often working with non-actors and laypeople.