Also in this program
JUPP, WHAT HAVE WE DONE?
This is the story of an ambitious man who aims high and is determined to make a lot of money with the help of his, well, creative understanding of art. This sketchy satire deals with the rise and fall of art consultant Helge Achenbach from Düsseldorf, who referred to his counterfeit accounts as collages in court. It's a story about former German chancellor Gerhard Schröder, soziale Plastik (social sculpture), power, imposture, and the Social Democratic Party of Germany. A genre picture about the role of art in a neoliberal business and the loss of values. The big question is: How did Joseph Beuys's dictum "everyone is an artist" become exploitative self-employment? This film is a condensed reworking of the theater series "Rheingold", which was developed in cooperation with Volksbühne Berlin in 2018. As in former works, director Jan Bonny worked together with artist Alex Wissel who developed the stage design and is one of the co-writers of this project.
Meet the director
Jan Bonny was born in Düsseldorf in 1979. From 2001 to 2006, he attended the Kunsthochschule für Medien in Cologne. His family drama COUNTERPARTS (2007) premiered at the Directors' Fortnight in Cannes, his 2018 film GERMANY: A WINTER'S TALE in competition in Locarno. Awards and nominations for his work in film and television have been presented at FILMFEST MÜNCHEN, the Grimme Awards, the European Film Awards, and the Kurzfilmtage Oberhausen, including for a 2013 episode of POLIZEIRUF 110 and the TV movie ÜBER BARBAROSSAPLATZ (2016). Repeated collaboration with artist Alex Wissel on experimental films such as SINGLE (2014) and RHEINGOLD (2017, with Volksbühne Berlin); screenings at the Haus der Kunst München, Kestner Gesellschaft, Kunstsammlung NRW, mumok Wien, and elsewhere.